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Talk: "Women’s Elegies in Israel (Bedouin, Christian, Druze and Jewish Yemenite)" by Roni Henkin-Roitfarb
Thursday, October 29 at MES Reading Room, Calhoun Hall (CAL) 516 ???? - University of Texas at Austin, Austin
About this event
Elegies are highly appreciated as a ‘women’s genre’ in Arabic literature, but have always been frowned upon, especially by men, when accompanying women’s mourning practices, considered contradictory to orthodox religion. In a forthcoming article on women’s elegies in four Arabic-speaking communities in Israel my co-writer, Hamdih Abu Rabi’ah, and I begin with the Negev, where Bedouin women’s elegies are of two types: public and personal – but they are not exclusive and one may flow into the other in sequence. We analyse a personal elegy, as Hamdih’s grandmother mourned her deceased husband; and another that starts in the public mode, then shifts to the personal. Analysis shows the language of elegy in the Negev to differ considerably from spoken Negev Arabic: as a sub-genre of Bedouin (nabati) poetry, the Negev elegy displays distinct lexicon, grammar, prosody and motifs belonging to the poetic interdialect. Next, we conduct preliminary comparisons of these Negev elegies with women’s elegies and mourning practices in three other Arabic-speaking communities in Israel: North Palestinian (Galilean) Christian and Druze on the one hand and Jewish Yemenite on the other. Elegiac motifs shared in the four communities include the loss of a woman’s freedom upon the death of her male custodian, concern over conditions in the grave, and the wish to come and take care of the dear one. Each of the four traditions, however, also displays distinct stylistic features and motifs, due to differences in culture, customs, and religion. In all these communities, sadly, the elegiac tradition is waning, which makes its documentation all the more crucial and urgent. Roni Henkin is a Full Professor at the Department of Hebrew Language, Ben-Gurion University of the Negev. Two major tracks in her research are, on the one hand, the language and style of Negev Bedouin oral narrative and, on the other hand, contact between Hebrew and Arabic in Israel. In both, she focuses on gender-related and generational differences. Her book, Negev Arabic: Dialectal, Sociolinguistic and Stylistic Variation, was published by Harrassowitz Verlag in 2010 [ISBN: 978-3-447-06170-4]. Journals in which her articles appear include Anthropological Linguistics, Language and Communication, Pragmatics, and Journal of Pragmatics. This talk is a part of the Israel in Context Lecture Series. Register Here!
Who's playing
Roni Henkin is a full professor in the Department of Hebrew Language at Ben-Gurion University of the Negev. Her research follows Negev Bedouin oral narrative and the contact between Hebrew and Arabic in Israel, with attention to gender and generational differences. She wrote Negev Arabic: Dialectal, Sociolinguistic and Stylistic Variation, published in 2010. The talk draws on a forthcoming article co-written with Hamdih Abu Rabi'ah.
What to expect
The talk starts in the Negev, where Bedouin women's elegies come in public and personal forms. It analyzes two of them, including one a grandmother composed in mourning for her husband. It then compares them with elegies and mourning practices among Galilean Christians, Druze and Jewish Yemenites. Common motifs include a woman's lost freedom after her male guardian dies and worry about the grave. The Reading Room is a small seminar space on campus, which suits a close, academic session.
Why go
The talk covers a women's oral poetic tradition that the speaker says is fading, so documenting it is urgent. It suits anyone interested in Arabic poetry, dialects, gender and ritual, or Middle Eastern and Jewish studies. The room is small, so the setting is more of a seminar than a lecture hall.
Where
MES Reading Room, Calhoun Hall (CAL) 516 ???? - University of Texas at Austin · Austin TX
